Melrose Station: Best speakeasy hidden behind a bookcase

If you’ve ever looked at your bookcase on a Friday afternoon — and wished the shelves were lined with booze instead of books — I’ve got a bar for you.

Melrose Station, a newish speakeasy in the Fairfax area, is a craft cocktail bar and tapas restaurant hidden behind a bookcase. To get there, you’ll first need to go to Glass Hookah Lounge, where a host will let you in the velvet rope, escort you to the back of the smoky room, then pull open a bookcase and tell you to go through the door at 11 o’clock.

That door opens up to Melrose Station, a classy train station-themed place with a glittery bar, telephone booths, and a handful of tables. It’s not a huge space, so I’m guessing the place gets loud and crowded late night, but when I met friends here for happy hour at 7:30 pm, it made for a great place to chat and catch up.

The craft cocktails are gorgeous — the garnishes include whole red chiles, berry medleys speared with toothpicks and dusted with powdered sugar, and pretty blue flames. But I focused on the food! My favorite dish was the New Zealand lamb lollipops, with citrus zest, dill, garlic, basil, shallot, and red wine vinegar.

The yellowfin tuna sashimi — with slivers of jalapeno, cucumber, and ginger, plus yuzu and sesame — was the prettiest dish.


Next time, I’d like to try the tuna ceviche. There were glutenier, dairy-er options too that I didn’t try but my happy hour raved about. The cheesy spinach artichoke dip and flatbreads were especially popular.

What books were on the shelves, you ask? I forgot to look. I didn’t do any reading there. But Check the titles for me if you decide to go! And dress nicely — no shorts or flip flops allowed —

Melrose Station. 7384 Melrose Ave. Los Angeles. 7pm until late daily.

March book reviews: Art, life, and Los Angeles

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

Slow Days, Fast Company by Eve Babitz (Knopf, 1977)
*
“So the artists in Los Angeles just don’t have that burning eagerness people expect. And they’re just not serious.”
*
Eve Babitz’s book is a sort of ode to LA — a perfect read for a slow day wandering around the sunny city. Eve goes on many strange, fun adventures, from a trip to Bakersfield with a random grape farmer guy who likes her work to drunken threesomes to a blank weekend in Palm Springs. I loved this novel about LA and men and other loose, listless, lazy liaisons.

Sorry to Disrupt the Peace by Patty Yumi Cottrell (McSweeney’s, 2017)

“Like most normal people, my life force ebbed and flowed, ebbed and flowed.”
*
Patty’s novel is about a 30-something woman in NYC — who goes to her adoptive parent’s home in Milwaukee when her adoptive brother suddenly commits suicide. It’s sad and moving and also funny and wry — and reminds me a bit of another McSweeney’s novel I read earlier this year that also centers around a sibling’s suicide: All My Puny Sorrows. Patty’s hilarious in person too; go see her read on book tour!

Homegoing by Yaa Gyasi (Knopf, 2016)

“Tell a lie long enough and it will turn to truth.”
*
This sweeping saga follows the two Ghanan sisters — separated across continents by colonial rule and slavery — through generations. I really admired the ambition of Yaa Gyasi’s novel — spanning indigenous Ghanan cultures, British colonialism, American slavery, coal mining, heroin addiction, dissertation writing. It’s amazing to think about how much the world has changed in just a handful of generations.

The Association of Small Bombs by Karan Mahajan (Penguin, 2016)
*
“And you know what happens when a bomb goes off? The truth about people comes out.”
*
Karan’s book tells the story of a bombing in Delhi — following both victims and perpetrators to examine the beliefs and motivations and history and religion and economic factors and life’s strange twists that result in radicalization and violence. The Association of Small Bombs really interconnected many different issues that often aren’t explored together in discussions about terrorism and violence. I really enjoyed the finely drawn psychology of the characters — it’s an important read for our complex times.

The Education of Margot Sanchez by Lilliam Rivera (Simon & Schuster, 2017)

“I spend my waking hours figuring out my future–what to wear, what to say, how to say it.”
*
Lilliam’s YA novel stars Margot, a teenager who ran up $600 on her papi’s credit card to buy cuter clothes — gotta invest in that fashion Instagram account! — then gets punished by being forced to work at the family supermarket in the Bronx. Margot struggles to fit in with the in crowd at a private school where she’s the only Latina. She’s caught between two worlds — of fashion, ambition, and cultural expectations. Lilliam and I read together at the latest Angels Flight Literary West salon!

13 Ways of Looking at a Fat Girl by Mona Awad (Penguin, 2016)

“Sometimes a pity will even bloom in my heart for that small, hunched, pedaling figure.”
*
The self-loathing and loneliness and resilience in this book is unrelenting — The protagonist Lizzie constantly evaluates and judges the appearance of the women around her — and of course turns those judgmental eyes most harshly on herself. Mona Awad’s book shows a world where women are in constant battle against their bodies, each lonely woman in a psychological cage of her own making, created by harsh self-judgement and cold evaluations of others. It’s a way of seeing the world that I’m intimately familiar with — and glad to have left behind. Overall, a touching, incisive read.

The Wangs vs. The World by Jade Chang (Houghton Mifflin Harcourt, 2016)

“And what is any artist, really, but someone who doesn’t mind being an asshole?”
*
Jade’s novel follows a wealthy Bel-Air Chinese-American family — that suddenly goes broke in the financial crisis. One of the main characters in this novel is an avant-garde artist who’s sort of Koons / Murakami-esque in the ways she plays with commercialism and commodification of art. She was my favorite and most interesting character. I picked up this book when Jade read at Jillian Lauren‘s Story+Soul Salon —

Big City by Scot Sothern (Stalking Horse, 2017)

“Sometimes story books are like real people but more exciting and sometimes just being people is more exciting than storybooks.”
*
BigCity is a parody of a Western — starring a cute bear, a gunslinging amputee, a powerful female fighter, a filmmaker, and other colorful characters. It’s violent, bawdy, and imaginative — it’ll jar you out of your comfortable sense of reality.
___

Get more and more timely book reviews from me on Instagram.

Pasadena Festival of Women Authors to star Yaa Gyasi, Cynthia D’Aprix Sweeney 4/8

Along with like half the people I follow on Instagram, I recently read Yaa Gyasi’s Homegoing and enjoyed the expansive sweep and ambition of the novel. Then I logged onto Facebook — to find out Yaa is coming to town!

Yaa is one of the headliners of the Pasadena Festival of Women Authors, happening April 8 at the Pasadena Hilton Hotel. Joining her will be Cynthia D’Aprix Sweeney, author of The Nest, an entertaining book I carried around last year — with nails painted to match.

Which is to say — The festival sounds like a pretty exciting event. Other keynoters are Amy Stewart (Lady Cop Makes Trouble) and Vendela Vida (The Diver’s Clothes Lie Empty). Then three more women authors will give concurrent breakout sessions: Rufi Thorpe (Dear Fang, With Love), Elizabeth McKenzie (The Portable Veblen), and Jung Yun (Shelter). There will be morning coffee and pastries as well as a midday lunch, plus book sales and signings throughout.

I’d never heard of this festival before, but apparently it was started back in 2009 by a couple Pasadena residents. Last year, it featured Pasadena’s own Victoria Patterson among its six authors. This year, with seven women, the event’s bigger than ever.

And it seems to be popular too. The event, capped at 540 attendees, is sold out! The waitlist is open though, along with a note that many waitlisters in the past have been able to attend.

I would join the list to see Yaa, except I’ll be out of town on book tour. Are you going to be there? Let me know what Yaa’s like in person! Tickets cost $95 each.

Pasadena Festival of Women Authors. Sat., April 8, 8 am – 2:30 pm. Pasadena Hilton Hotel, 168 S. Los Robles Ave., Pasadena, CA. $95.

Disquiet International Literary Program: Two-week adventure in Lisbon, Portugal

Love literature and love travel — but don’t want to do all the plotting and planning to make an international literary adventure happen on your own? Try the Disquiet International Literary Program in Lisbon, Portugal.

I went two summers ago, and loved it. I mean, this was the view from my Airbnb.

Plus I got to meet fantastic authors, workshop with acclaimed writers, go on excursions to castles and beaches, and explore the pretty streets. I went to readings and receptions at gorgeous, historical places all over Lisbon.

Oh, and I got to meet my literary hero, Mary Gaitskill!!!!

But first some basic info: Disquiet International Literary Program is a two-week program in the city of Pessoa, author of The Book of Disquiet. Here’s me holding hands with Pessoa —

It all kicked off on a Sunday with a reception at the official residence of the U.S. Embassy — with drinks and appetizers! Then we got into a rhythm. In the mornings, participants went to writing workshops. Each person had two different workshops! A “core” genre workshop met on Mondays, Wednesdays, and Fridays — I was in one of the fiction ones with Noy Holland.

Then on Tuesdays and Thursdays were the “fun” workshops — in my case, “Lisbon is Our Muse” led by the playwright Elaine Avila. For this workshop we walked around to cool places around the city and wrote as the spirit of Lisbon moved us. Here’s my favorite place we visited as part of that class: Carmo Archaelogical Museum.

Then we’d break for lunch. Around 2:30, there would usually be a reading — some by faculty, some by other visiting writers. I got to hear Stefan Kiesbye and Alexander Chee, both of whom were workshop faculty — as well as many other authors including did I mention Mary Gaitskill?!


Many of these readings were held at amazing places: Academia das Ciências de Lisboa, Casa Fernando Pessoa, Casa dos Bicos – Fundação José Saramago —

Late afternoon, there were other fun activities — like The Pessoa Walk which took me on a guided walking tour around the city.

Then in the evenings, came more readings, receptions, film screenings, and lectures — like one on fado, traditional Portuguese folk music, given at Museu do Fado!

After that talk, we went to hear actual fado singers while dining —

One night was a participant open mic — It was really great to hear everyone’s work as well as to get to read some of my own. Another night was a party at the Fundação Luso-Americana para o Desenvolvimento (Luso-American Development Foundation) — with readings, performances, and drinks and appetizers. All the buildings were gorgeous —

On Saturday, there was an excursion to Cascais, a beach city, where we first visited the Paula Rego Museum and had an amazing lunch at the museum restaurant before hanging out at the beach.

On Sunday a bunch of people went to visit the castles in Sintra. Here I am at The Pena Palace:

The very last event was a farewell reception at Reservatório da Mãe d’Água — also with drinks and appetizers. I loved the architecture of this place —

All in all, Disquiet was an amazing way to experience a city I initially knew nothing about. The gorgeous tiled streets, the fun street art…. Sometimes you would go for a walk in the evening, turn a corner, and a gorgeous cathedral would suddenly appear —

Which is to say, I didn’t get much writing done while I was there. But I did get some great feedback on pre-existing work.

This year’s Disquiet happens June 25 to July 7, 2017. Cost: $1,950, not including flight and room and board — which might sound steep to some, but if you consider all the workshops, lectures, readings, activities, the opportunity to visit all sorts of historical places that would be tough to get into on your own, and the drinks and appetizers, it’s a pretty good deal.

Plus, you can apply for The Disquiet Literary Prize, with the grand prize being a full scholarship including tuition, lodging, and a $1,000 travel stipend, as well as the Luso/Lusa-American Fellowship if you’re a North American writer of Luso/Lusa descent. Unfortunately the deadline for the prize has passed for 2017 — but rolling admissions are still open!

Have more questions about Disquiet? Ask me in the comments —

Come celebrate Cake Time in April: LA, Oakland, Portland, Seattle

Friends — My debut novel-in-stories, Cake Time, is almost here!

April 6, 2017, is the official publication date — and I hope you’ll celebrate with me at one or many of the cakey events next month, the biggest of which is the Los Angeles launch event:

Siel Ju reads from her novel-in-stories CAKE TIME
with special guests
Janice Lee, Victoria Patterson, and Jim Ruland
Wednesday, April 5, 2017 at 7:30 pm
Skylight Books, 1818 N. Vermont Ave., Los Angeles
FREE!
(Facebook event page)

It’ll be really cake time because there’ll be cupcakes, and wine, and other fantastic writers who’ll be reading short pieces about Los Angeles. Please come — whether you plan to get Cake Time from Skylight Books or have already preordered it elsewhere or plan to borrow it from the library or win it on Goodreads — and say hello and eat sweet things.

I really, really hope to see you there!

I’m also coming to Oakland / San Francisco, Portland, and Seattle — All events are FREE; most will have cake!

Oakland / San Francisco
Siel Ju reads from CAKE TIME with fellow Red Hen Press authors Andrew Lam and Brynn Saito
Friday, April 7, 2017 at 7 pm
DIESEL, A Bookstore in Oakland, 5433 College Avenue, Oakland
(Facebook event page)

Portland
Siel Ju in conversation with Kevin Sampsell
Monday, April 10, 2017 at 7:30 pm
Powell’s on Hawthorne, 3723 SE Hawthorne Blvd., Portland
(Facebook event page)

Bellingham, Wash.
Siel Ju reads from Cake Time with Kelly Magee
Tuesday, April 11, 2017, at 7 pm
Village Books, 1200 11th St., Bellingham, Wash.

Seattle
Siel Ju: Cake Time with Corinne Manning and Tara Atkinson
Thursday, April 13, 2017 at 7 pm
Hugo House, 1021 Columbia St., Seattle

____

After that I’ll be back in SoCal, and there’ll be more readings in the Los Angeles area:

Red Hen Press event featuring Elizabeth Powell, Siel Ju, Angela Palm, and Lynnell Edwards
Saturday, April 15, 2017 at 3 pm
Book Soup, 8818 Sunset Blvd., West Hollywood.

Writes of Spring Festival
April 19-20, 2017, time TBA
Rio Hondo College, 3600 Workman Mill Rd., Whittier, Calif.

Why There Are Words Los Angeles
Thursday, April 20, 2017, 7pm
Location TBD, Los Angeles.

Cake Time: A Reading at SMC Spring Literary Series
Tuesday, April 25, 2017, 11:15 am – 12:30 pm
Santa Monica College, HSS 165, 1900 Pico Blvd., Santa Monica

Ain’t Too Proud To Beg event at The Window @A.G. Geiger
Sunday, April 30, 2017, 4 pm
A.G.Geiger Fine Art Books, 502 Chung King Ct., Los Angeles
_____

And don’t forget I’ll be doing a pre-publication reading at the Angels Flight • literary west Salon with Siel Ju & Lilliam Rivera on Sunday, March 26, 2017, 4 pm – 6 pm at Clifton’s Republic, 648 S Broadway, Los Angeles!

In June, I’ll be hitting the east coast. If you’re in NYC, put June 8 in your calendar! I’ll be reading with fellow Red Hen Press authors at Greenlight Bookstore, 686 Fulton St., Brooklyn, on Thu, June 8, 2017, 7:30 pm. More about that and other east coast readings closer to date —

Hope to see you in April!

My writing residency at Vermont Studio Center

Earlier this winter, I left sunny SoCal for snowy Vermont — where I meditated, yoga’d, read, and drew.

No, I wasn’t in rehab — or at a wellness retreat, for that matter. I was at a writing residency! For two weeks, I got to live at Vermont Studio Center, a residency program that brings together 50 artists and writers each month to form a temporary community in a tiny town called Johnson.

And I’m so glad I did. I loved this place — and already have hopes to go back for a full month soon, though perhaps in warmer weather.

In case you’re not familiar with them, writing residencies are basically like getaways with a literary goal. That goal would be to write — in a peaceful place with uninterrupted time, away from the pressures and responsibilities of normal life. Each residency is a bit different. The one I did at The Anderson Center last summer hosted just five people at a time and was fully funded, covering room, studio, and board for all residents — so it had a very different feel than Vermont Studio Center with more structure and more amenities for the 50 people there, many of whom received full or partial scholarships to fund their stay.

Here’s how a typical day went. I woke up in my cute room at Pearl House — I was one of the lucky people who got a private bathroom —

and looked out the window to see if it was snowing.

Then I went to the mediation room — a standalone building where residents can go at any time to light candles, sit a while, and focus the mind.

After that I went to the Red Barn — VSC’s main communal space — for breakfast.

Then I walked over to one of the artists’ studio buildings to draw for an hour — because VSC offers life drawing with a model weekdays from nine to noon! I’d never done figure drawing before, but I felt I couldn’t let the opportunity go to waste. Here’s my drawing from the first day of the residency:

And here’s my drawing from the last day.

At ten, I finally went to my writing studio to write. I had a desk, a chair, a bookcase, and a little couch with a yellow blankie —

The 16 writers’ studios are all in the same building, overlooking the river:

At noon everyone congregated at the Red Barn for lunch, served buffet style, always with a salad bar:

Lunch at Vermont Studio Center

Menus went up on a chalkboard:

After lunch I went back to the studio to write:

Then at 4 pm I left to change because yoga class started at 4:30 on weekdays:

Then at 6, it was back to the Red Barn for dinner:

Post-dinner, there was usually some activity: Resident readings or slides and talks by visiting artists or writers. Each month, two visiting artists and two visiting writers — one fiction, one poetry — would come to the center not only to talk about their work but to do studio visits, meeting one-on-one with residents to offer feedback on their creative work. Unfortunately, I was only at the Center for two weeks — and the fiction visiting writer had come by the previous two weeks — so I didn’t get to do a studio visit….

But I was busy enough — every day was full! Late night, I read novels borrowed from the studio library before falling asleep —

On the weekends my schedule was a little bit different. Among other things, I took some walks around the little town, which is cute and very small. Other residents tacked on other things — from karaoke night at the one karaoke bar in town (that was really a pizza place), hot wing eating contests at the one wing restaurant in town, snowball fights, to studio portraits (a photographer came around) — that you might want to try too.

I made some friends too and wish they all lived in L.A. — In the meantime, we’re keeping in touch on Facebook.

The next fellowship deadline for Vermont Studio Center is June 15, so start thinking about applying! Have questions about VSC — or about residencies in general? Ask me in the comments —

Earlier: My Writing Residency at the Anderson Center