Lit Crawl LA: A Night of literary happenings in North Hollywood

Lit Crawl Los Angeles NoHo Arts District

Lit Crawl Los Angeles NoHo Arts District

Clear your schedule for next Wednesday night! Lit Crawl LA returns Wed., Oct. 26, turning the North Hollywood Arts District into the hub of Literary LA with irreverent readings and other fun events happening in local dive bars, fancy theaters, and other interesting spots.

The night’s set up so that each of the three hours of the night, a dozen or so events happen concurrently, with a few minutes in between each hour to let crawlers get to their next event. All the events are free! Unfortunately as of this writing the Lit Crawl LA website hasn’t updated the schedule for the night. But the Facebook invites have gone out — so here are the three events I recommend you crawl to!

Round 1 at 7 pm: The Rejection Game at The Eclectic Wine Bar & Lounge, 5156 Lankershim Blvd, North Hollywood.

Okay — I picked this event mainly because I’m in it — and also because it should be a fun time! Organized by Women Who Submit — a lit org that encourages women to submit to lit journals more frequently and tenaciously — this reading will “celebrate the work that has been rejected time and again, but that we still believe in.”

Come hear me, Rachael Warecki, Tammy Delatorre, Ryane Nicole Granados, Stephanie Abraham, and Kate Maruyama. Poet Lauren Eggert-Crowe will host!

Round 2 at 8 pm: The Literary Dating Game at the Kahuna Tiki, 11026 Magnolia Blvd, North Hollywood.

One brave creative-nonfiction-writing bachelorette called Brandi Neal has agreed to let three brave souls compete for a chance to take her out on a date! Organized by PEN Center USA, the event promises a “stellar host, a stunning mistress of ceremonies, literary questions, some audience participation, and a Mai Tai or two.” I am pretty sure you’ll need to pay for your own mai tais, so prepare accordingly —

Round 3 at 9 pm: Truth in Fiction at MOD Pizza, 5300 Lankershim Blvd #103, North Hollywood.

This event’s a chance to get to hear some of the bigger names in the LA lit scene read. David Ulin, J. Ryan Stradal, Natashia Deon, Matthew Specktor — as well as James Sie, Robert Roman, and Julia Ingalls — will all give short readings. Take your books to get signed!

I’m guessing there’ll be an afterparty with drinks and nibbles and socializing after the third round, as there has been in previous years. Check the Lit Crawl LA website closer to date for details.

Earlier: 7 big annual literary events in Los Angeles to put on your calendar now

11 reasons to attend the Tin House Winter Workshops

Thinking about a writer’s getaway this winter? Read on to see if the Tin House Winter Workshops — which I attended early this year — might be a good fit for you.

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1. You need a vacation. A weekend away spent on a gorgeous beach sounded like a dream to me. And at $1300 for the hotel, all breakfasts, a five-course dinner, plus cocktail parties in the evenings — not to mention the actual writing program itself!! — the price felt alright (I realize opinions will differ on the reasonableness of the price).

2. You’d like to see the Oregon Coast. Once I got to the Tin House offices in Portland, I quickly met the other workshop participants — before we piled into a van and headed up up to Newport. There, we were dropped off at the hotel, located on a gorgeous 45-foot bluff overlooking the Pacific.

nye-beach-newport-oregon

3. The idea of staying at a literary-themed hotel makes you happy. Each of the 21 rooms at the Sylvia Beach Hotel are individually themed around a famous author. I got the Dr. Seuss room! Most of the rooms are more — sedately decorated — if the bright yellow’s too much for you.

dr-seuss-room-in-sylvia-beach-house

4. You want some feedback on your writing. Well before the workshops began, all the participants submitted a short story — then got copies of the stories of all the other writers in the workshop group. We read and wrote up a page or two of feedback for each of the stories — then arrived in Oregon ready to discuss the stories during the morning workshops.

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5. You want to learn from writers you admire. I’d enjoyed Wells Tower’s short story collection Everything Ravaged, Everything Burned, and was psyched to be in his workshop, which met for about 3 hours each morning. It was great to hear Wells’s take on my story — as well as those of my fellow workshop members —

6. You like parties. Each night there was a social event of sorts, whether a multi-course dinner party plus book exchange, or a cocktail party at the nearby Hemingway House (owned by Tin House’s editor), or a karaoke fest at a nearby divebar that drew a strange and eclectic crowd.

Nye Beach Newport Oregon

7. You love seafood. The seafood is fresh and delicious here! One evening we even got a chance to visit the best seafood restaurant in town — though the name now escapes me.

8. You’re curious about Tin House. I enjoyed getting to know the Tin House staff members who came along on the trip, sharing info about how the editorial process at Tin House works. One of the highlights of the weekend was Meg Storey’s talk about her work as an editor for Tin House books. She ran through the process for acquiring one Tin House book, from showing us the first pages of the initial manuscript she rejected, to the detailed editorial letter she wrote to the author about why the manuscript was rejected and how it could be improved, to the first pages of the much revised and finally accepted manuscript. It was really illuminating!

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9. You like bookish freebies. My Tin House welcome tote came with an issue of Tin House plus a Tin House book.

10. You enjoy meeting other writers. The workshop group ran the gamut, from young women just out of MFA programs to older women retirees. Why did I just say women twice? Because in terms of gender, the workshop is not diverse. There was one brave guy in our cohort of about 20! I’ve noticed that writing workshops and programs in general tend to be women-heavy; I don’t know why that is but I would be curious to hear your theories.

In any case — I made some great new friends at this workshop, and though we’re scattered all over the country now, we keep in sporadic touch via Facebook and email — and cheer on each others’ literary successes.

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11. You’d like to hang out in Portland. I’d actually never been to Portland before, so I tacked on a few extra days after the workshop to walk around Portland, visit Powell’s Books and hang out with Kevin Sampsell (above), and drink lots of good coffee.

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Interested in taking part in the workshops? This year, the fiction faculty members are Kevin Barry, T. Geronimo Johnson, and Michelle Wildgen — and I have to admit I’m not familiar with their work! If you’re thinking about applying to attend, I recommend reading each of the faculty members’ books, then asking to be placed in a workshop with the author whose work you feel most attuned to.

Tin House will run three different sessions in early 2017: Fiction from Jan. 20-23, creative nonfiction from Jan. 27-30, and poetry from March 3-6.Get your application in by Oct. 19 to be considered for a scholarship! The general application deadline is Nov. 7. Tin House also runs summer workshops, a longer, more in depth program with more people and more events — but applications for that program won’t be open for some months.

Five Firsts: Stefan Kiesbye on finding the right indie press for your book

Every month, I interview an author I admire on his literary firsts.

Version 2October’s featured author is Stefan Kiesbye, author of Your House Is on Fire, Your Children All Gone (Penguin), a spooky literary novel that made EW’s Must List and was named one of the best books of 2012 by Slate editor Dan Kois.

Stefan’s also the author of the novella Next Door Lived a Girl (Low Fidelity Press), the LA Noir Fluchtpunkt Los Angeles (Vanishing Point), and the novel The Staked Plains (Saddle Road Press). His latest book, the gothic novel Knives, Forks, Scissors, Flames (Panhandler Books), comes out later this month.

In this interview Stefan offers advice on finding the right indie press for your book, incorporating music into your literary readings, and much more.

Sign up with your email below to be entered to win a copy of Your House Is on Fire — and to get notified of future interviews!



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Siel: I’ve noticed several of your books are set in quaint small towns — places that appear quiet on the outside, but simmer with violence and mystery under the surface. What draws you to the small town setting?

kfsfStefan: Before I moved to Berlin, I lived in a small town surrounded by small villages. As a teenager I hated that, but looking back it’s fascinating to me how much you knew about your neighbors and the people in town. Secrets were always open. What fascinates me the most is how villagers have to pay for transgressions. Below the surface of modern law, there’s an older set of rules.

In Knives, Forks, Scissors, Flames, people don’t call the police if you commit a crime. They keep your secrets safe, but they want favors in return. Maybe not right away, but sooner or later you’ll have to forfeit power or influence, or support something you believe is wrong. And events and crimes are never forgotten; the village keeps its narrative intact.

You moved to California not to long ago, to teach at Sonoma State. Has the move affected your writing?

I think all moves do, you just can’t help it. New things come at you and want your attention. You meet people who are specific to a certain place. I’m a big believer in place and that every place creates its own people and challenges and ways of life, and I love looking at new places because they force you to look at life from their angle.

stefan-kiesbyeI find your publishing history really interesting! First, a novella with a small press, then Your House Is on Fire with Penguin, then back to small presses for your three latest books. Was the return to small presses a deliberate choice, or was it simply a matter of different books each finding the press that fit them best?

Large presses have more money and more marketing and advertising power, so that’s to your advantage. Small presses operate very differently, and in most cases your involvement with the book itself, from cover art to font to illustrations, is much higher – a great plus. That said, each book seems to take its very own way, and I’m happy to follow. All the different experiences have been wonderful.

What advice do you have for new authors trying to find the right small press for their first book?

That can be a daunting task, but it helps to go to AWP and walk around the exhibition hall and talk to representatives from the presses, to look at their books and authors. Reading the Writers Chronicle and scouring it for contests is a good idea. And friends will always help you, tell you new things you need to know, point you in the right direction. The thing is, there’s no quick solution. In publishing, everything takes a very long time.

I first met you through the Disquiet International Literary Program in Lisbon last year, where you gave a reading accompanied by a soundtrack! Can you share some tips for incorporating music and other sounds into a literary performance?

For me it started with meeting these super-talented musicians in Portales, NM, who were open to spending their evenings rehearsing a certain piece with me. We improvised together, then wrote general directions and themes down. Live music is not always an option (in Lisbon it wasn’t, though I might have been able to convince the violin player who always stood at the corner on the way to that bookstore), but it makes you less lonely on stage, and it gives you more time for small pauses, shifts in the narrative. It also adds a layer of immediate meaning the writing otherwise misses out on. I love when someone just brings a guitar or a mandolin and says, “Okay, let’s try,” and we can improvise the reading that night.

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Purchase a copy of Your House Is on Fire now, or enter to win one by signing up for the newsletter. Already joined up? Then you’re already entered!

Women Who Submit throws parties to empower women writers

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Why do we still see more men publishing poems, stories and books than women? That simple question has a complex answer, but one part of the problem is that women make fewer and less frequent efforts to get published. Ask many a literary journal editor, and she will tell you that men, in general, send in submissions in far greater numbers than do women.

Why this is — is also a question with a complex answer. But one grassroots organization, Women Who Submit, has started answering it with a simple solution — by getting more women to submit more and more frequently to literary journals and other writing-related opportunities.

Women Who Submit submission party in Los Angeles

How does Women Who Submit do this? By throwing submission parties! At each of these events, women writers are encouraged to arrive, laptops in tow, to hang out and eat and drink and chat and have fun in real life — while also sending their work out to literary journals via the internet. Every time someone sends in a submission, the crowd cheers!

Each party is a little different. Some are held in people’s homes, and have the feeling of a cozy ladies potluck brunch. Others are held in bars, to the delight of writers who enjoy daydrinking. Yet others are organized in quiet community spaces — Those have tended to be the most productive spots for me.

Women Who Submit was founded in 2011 by three L.A. women — Alyss Dixson, Ashaki Jackson and Xochitl-Julisa Bermejo — as a response to the VIDA count, which shows in stark statistics just how many more men than women are seeing their name in print in literary journals.

Women Who Submit submission party in Los Angeles

Since then, WWS has formalized and organized and expanded. There are now parties organized across the US! Parties in L.A. happen on the second Saturday of the month — and I’ll be giving a talk at the next one on finding an agent! That WWS New Member Orientation and Submission Party happens Sat., Oct. 8 at Beyond Baroque in Venice. Hope to see you there!

To join WWS — or to find out about or start a party in your town, contact WWS. In the meantime, follow WWS’ blog, which has helpful posts demystifying the literary submission process, offering writerly encouragement, and celebrating the publication successes of its members.

Earlier: 5 important resources for women writers

Photos by Lauren Eggert-Crowe

October Giveaway: Stefan Kiesbye’s Your House is on Fire, Your Children All Gone

stefan-kiesbye*** Winner selected! Congratulations to Sam in Greencastle, Indiana! ***

Do you like scary stories? If you love being frightened by a fantastic literary read, you must pick up Stefan Kiesbye‘s novel Your House is on Fire, Your Children All Gone this Halloween month.

Innocent-looking children full of strange horrors. Quiet little family homes hiding dark, shameful secrets. Placid small town life interrupted by sudden, dire consequences. Stefan’s novel is like a dark, Grimms brothers-esque read — with an R rating. Hexes, Oedipal complexes, battles of the sexes — This novel has it all.

Here’s a sample chapter summary: A boy figures out his sister was impregnated by his dad. So the boy uses an old folk remedy to punish his father — until his father eats himself to death. But the mom and sister, far from being happy to be rid of the incestuous father, aren’t too pleased with the turn of events. Everyone but the boy had been perfectly content with things as they were….

Each chapter’s like this, focusing on a different child in the village and the bizarre shenanigans he or she goes through. Those stories are bookended by a reunion of sorts of the now grown up kids (the ones that are still alive, anyway), so we get to see how they ended up after all the terrible traumas.

Get a copy of Your House Is on Fire now, or sign up with your email below to be entered to win a free copy! Already signed up for my newsletter? Then you’re already entered!

*** This giveaway is now closed, but join my email list to be entered into future giveaways! ***

Come back mid-month to read a Five Firsts interview with Stefan Kiesbye!

September book reviews: Little Nothing, The Lonely City, and 8 more

Jonathan Safran Foer Extremely Loud and Incredibly Close

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

Jonathan Safran Foer Extremely Loud and Incredibly Close

Extremely Loud and Incredibly Close by Jonathan Safran Foer (Houghton Mifflin, 2005)

“So many people enter and leave your life! Hundreds of thousands of people! You have to keep the door open so they can come in! But it also means you have to let them go!”
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Extremely Loud follows Oskar, a 9-year-old who lost his father on 9/11. The boy wanders around NYC on a mission to find a lock for a mysterious key his father left behind. In the process, he meets a lot if varied people and hears their stories — which gives the novela bit of a Humans of New York feel. I loved the precocious (aspie?) protagonist — The close loving relationships he has with his mom and granny (and had with his father) actually made me jealously long for a childhood like his. One question remains: Should I watch the movie?

Cari Luna The Revolution of Every Day

The Revolution of Every Day by Cari Luna (Tin House, 2013)

“People aren’t so different. Times haven’t changed so much. Young is young. Poor is poor.”
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This novel centers around four squatters living in the lower east side during Giuliani’s reign in the 90s — the politically-driven, modern-hippie kind of squatters trying to reclaim the city for the people by rehabbing abandoned apartment buildings and living in them free rent. There’s a love triangle — the girl of one couple gets pregnant by the guy of another couple — and there’s the struggle against the government that suddenly seeks to evict the squatters. I didn’t even know this kind of subculture ever existed so it was fascinating to read about.

Marisa Silver LIttle Nothing

Little Nothing by Marisa Silver (Blue Rider Press, 2016)

“People risk death for the chance to be swept away from everything they once were.”
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Marisa Silver’s latest novel is like a twisted fairy tale of a girl born a dwarf — to grow and stretch and transform, metamorphosing those around her too. What I loved most about this novel were the ideas of transformation and reinvention of the self. This happens in a supernatural level to the protagonist of the book, but the other characters too take on new personas, living multiple lives in the shifts and tumbles of their tumultuous lives. A lively and entertaining read.

Jami Attenberg Middlesteins

The Middlesteins by Jami Attenberg (Grand Central Publishing, 2013)

“We ate and ate, and we looked at no one but ourselves until we were done.”
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Jami Attenberg’s novel has at its center Edie, a woman who just can’t stop eating — and her family who doesn’t know what to do with the situation. Edie’s appetite for crappy food triggers everything from futile exercise walks around the track to crying and gnashing of teeth to divorce proceedings — yet the book is really about how a family lives and loves and cares and adapts through it all. The descriptions of all the fatty sugary junk food Edie constantly ingests created for me a simultaneous desire and disgust — Pick it up if you love touching Jewish family dramas!

Half World Scott OConnor

Half World by Scott O’Connor (Simon & Schuster, 2014).

“This is another place entirely. The rules are different. The rules are pretty much the opposite of the rules where you’re from.”
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Scott O’Connor’s literary thriller takes as its inspiration MKULTRA, the decades-long CIA experiments on unsuspecting Americans to study the effects of LSD and other drugs — as well as methods of interrogation and coercion. Experimentees get lured in and drugged up by prostitutes hired by government agents. Though based on historical events, O’Connor’s story is very much fiction — It investigates the emotional legacy of this CIA program on both the experimenters and the experimenteees.

Benjamin Nugent Good Kids

Good Kids by Benjamin Nugent (Scribner, 2013)

How teenagers dated in the 90s: “No one had email. To keep in touch with a girl who lived two hours away, you had to talk to her, while attempting to avoid your mother, on a beige phone whose base was nailed to the kitchen wall.”
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Benjamin Nugent’s novel is often hilarious with its spot on descriptions of the awkwardness of growing up. The novel’s about a boy and a girl who see their parents hook up with each other — an affair that ends up breaking up two families. The kids make a pact to never cheat when they grow up — then meet again decades later when both engaged to other people. Overall, an entertaining read.

Sloane Crosley Clasp

The Clasp by Sloane Crosley (Picador, 2016)

“If Los Angeles, with its youthful obsessions, made life feel like death, then Paris made death feel like life.”
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The Clasp tells the story of a love triangle between three college friends who come back together in their early thirties. There’s unrequited longing, foiled young ambitions, and a romp through France in search of a necklace. I enjoyed the same goofy-wry humor I recognized from Sloane’s two earlier nonfiction books. All in all a light, mildly entertaining read.

Olivia Laing Lonely City
The Lonely City: Adventures in the Art of Being Alone by Olivia Laing (Picador, 2016)

“I wonder now: is it fear of contact that is the real malaise of our age…”
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The Lonely City was a thought provoking read that combines Olivia’s own experience with intense loneliness after moving to NYC with philosophical and scientific loneliness research as well as an investigation of loneliness in the lives and work of major artists: Hopper, Warhol, Wojnarowicz, etc. My one quibble with this book is that few women are discussed, and their inclusion seems brief and ancillary — i.e. Valerie Solanas, who seems to be included less for her work than because, you know, she shot Warhol. The book is wide ranging, touching on everything from the AIDS crisis to isolating technologies.

Shawna Kenney I was a teenage dominatrix

I was a Teenage Dominatrix by Shawna Kenney (Last Gasp, 2001)

“None of these men turned me on in a sexual way. But I enjoyed what I did to them.”
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I picked up Shawna’s book after meeting her at a Vermin reading. This memoir of tying up, beating up, and ordering around men is a fast and furious read. An entertaining book you can whip through in a day.

Adam Haslett You are not a stranger here

You Are Not a Stranger Here by Adam Haslett (Anchor, 2003)

“He wasn’t the most articulate boy I ever met. Only the one whose pain seemed to me most beautiful.”
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Adam Haslett’s short story collection is an introspective, somewhat painful read, its main themes being sexual confusion, self-hatred, and mental illness. The story that most moved me was about a newly orphaned young gay boy — who has a crush on the class bully and provokes his physical violence for a sense of connection.
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These aren’t all the books I read this month! Get more and more timely book reviews from me on Instagram.