December giveaway: Things That Happened Before the Earthquake by Chiara Barzini

*** Winner selected! Congratulations to Melanie in La Mesa, Calif.! ***

When I think of the ’90s, I think Nirvana, Beverly Hills 90210, and long stretches of childhood boredom. But Chiara Barzini’s debut novel reminded me that the ’90s was actually a rather violent and volatile time in Los Angeles, what with the L.A. Riots, the Northridge Earthquake, and of course, the O.J. Simpson Trial.

Which is to say — reading Chiara’s debut novel, Things That Happened Before the Earthquake, was a fascinating experience for me, at once a trip down memory lane and a thrilling journey down the road not taken. I remembered and recognized so much in the events she describes — but saw them this time through completely new eyes, those of a wild, sensitive, and sharp girl trying to make sense of a foreign world.

The novel tells the story of Eugenia, an Italian teenager who moves from her home in Rome to Los Angeles with her family so her filmmaker parents can chase their Hollywood dreams. The family readies for a glamorous life among movie stars — only to land in LAX while the city’s still literally smoldering from the riot fires. They end up living in a house in Van Nuys, far far away from the rich and beautiful.

From the start, the family doesn’t quite fit in, their cultural clashes often hilarious. On a Malibu beach, Eugenia’s old grandmother gets yelled at through the police helicopter’s loudspeaker then receives a citation — for topless sunbathing. On the first day of school, Eugenia gets sent to detention — after wandering the halls unable to find the bathroom or her class.

Yet Eugenia’s got a lot of moxie, forming odd friendships with strange characters — her father’s death-obsessed writing partner, a Persian classmate who likes her but won’t acknowledge her in front of his friends, an ear-less dude who works at his mother’s shop of movie curios. Her parents preoccupied with their own dreams, Eugenia has the freedom to basically do whatever she wants — whether that’s sneak out of school to hook up with a secret boyfriend or walk down long, empty stretches of Sepulveda Boulevard or hike through Topanga Canyon on hallucinogens. Her adventurous scrapes are thrilling, but often frightening and dangerous too — and her loneliness is palpable.

I loved this Los Angeles coming of age story and think you will too. I’m giving away  a copy of  Things That Happened Before the Earthquake to one of my readers! All current email subscribers will be automatically entered to win the copy. Subscribe now if you’re not yet getting my occasional newsletters.

For a second chance to win, comment on this post below, naming your favorite street in L.A.. The giveaway closes December 31, 2017 at 11:59 pm PST. US addresses only.

Come back mid-month to read an interview with Chiara Barzini.

November book reviews: A prince, a duchess, and a Harley rider

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

The Gravedigger’s Daughter by Joyce Carol Oates (Ecco, 2007)

“That sensation of things-falling-away. Once the ice begins to crack, it will happen swiftly.”
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This 500+ page time by Joyce Carol Oates follows a good little girl who grows up in a Jewish family who escaped the holocaust — only to be exploited as low-wage workers and victimized by anti Semitism in the states. That’s just the beginning of the story, which goes on to cover a murder-suicide, domestic abuse, vagabonding, class passing, musical genius, repeated self-invention, and a lot more. Pick it up if you’re in the mood for an engrossing American saga.

Harley and Me: Embracing Risk On the Road to a More Authentic Life by Bernadette Murphy (Counterpoint, 2016)

“Am I able to risk knowing who I really am?”
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Woman learns to ride a motorcycle — then upends her life by taking more risks — like rock climbing, half-marathoning in Bali, and leaving a decades-long marriage. I picked up Bernadette’s unexpected coming of middle age memoir after we were on a panel together at Skylight Books — and I’m glad I did. It reiterated for me the value of trying things you’re bad at, getting vulnerable, and going boldly into the unknown.

The Guineveres by Sarah Domet (Flatiron Books, 2017)

“Maybe that’s just what nostalgia is: a willingness to embrace the pain of the past.”
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I picked up The Guineveres on a whim — and ended up getting attached to the four girls, all called Guinevere. The four bond growing up in a convent orphanage, each desperately searching for a sense of belonging amid punitive nuns, a kindly alcoholic priest, and comatose soldiers wounded from the war. The palpable sense of loss and desire for connection touched me.

Life of Pi by Yann Martel (Mariner, 2002)

“My life is like a memento mori painting from European art: there is always a grinning skull at my side to remind me of the folly of human ambition.”
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This one was another chance read I downloaded for free from Amazon before my trip to Miami earlier this month. I loved the melding of scientific and zoological facts, realistic-sounding worst case scenario survival tips, and lonely emotional drama. The ending was amazing. Should I watch the movie?

The Silent Duchess by Dacia Maraini (English trans. from Feminist Press, 2000)

“To participate in embracing the bodies of strangers who have become close and intimate through the printed page, is this not is good as experiencing that embrace, with one additional advantage: that of being able to remain in control of oneself?”
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Dacia Maraini’s The Silent Duchess is a sumptuous read, following the deaf and mute Marianna in early 18th century Sicily as she discovers the truth of her past and starts to determine her own future. The descriptions of her wealthy, tradition-bound, complicated aristocratic life is rich and sensuous and vivid. I discovered this book through Boxwalla; thanks Boxwalla for the lovely reads.

The Night Language by David Rocklin (Rare Bird, 2017)

“It’s a different language, the words that come quietly at night. Don’t mistake what we’ve talked about for something we can talk about in daylight.”
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My friend David Rocklin’s novel came out into the world earlier this month! Here’s my full review of The Night Language, and my interview with David.

Madonna in a Fur Coat by Sabahattin Ali (English trans. from Other Press, 2017)

“My judgments were formed of my own dreams and illusions. At the same time, I was absolutely sure that they would not deceive me.”
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Madonna in a Fur Coat is a fantastic title for a novel, don’t you think? It tells the story of a shy, romantic young Turkish guy in the 1920s who falls in love with a painter /nightclub singer in Berlin. A bit melodramatic, slightly repetitive, but still a touching description of art and desire, hope and resignation. This book was another Boxwalla discovery.

Good Bones by Maggie Smith (Tupelo Press, 2017)

“The woman doesn’t know how the story ends. / Like the mountain, it has a shape, / but she’s too close to see it whole.”
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The poem’s in Maggie Smith’s collection are largely about a mother’s desire to protect her daughter from a dangerous world. She and I got to read together at a Red Hen Press literary salon in North Hollywood earlier this month. Thanks to everyone who came, and hope to see you at my future events!
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November giveaway: The Night Language by David Rocklin

*** Winner selected! Congratulations to Shawn in Red Wing, Minn.! ***

Political drama. False identities. Forbidden romance. David Rocklin’s new novel, The Night Language, contains all of these, but is at its heart a quiet — and unexpected — love story. After all, there aren’t too many novels starring black men in the court of Queen Victoria — let alone two black men who fall in love.

The Night Language brings together Prince Alamayou of Abyssinia (Ethiopia today) with his ad hoc guardian, Philip Layard. Plucked from his home and brought to England, Alamayou slowly learns to communicate with Philip’s help — with whom he slowly falls in love. Yet from the beginning, the two men are under constant threat in the racist, homophobic society they’re immersed in.

The couple’s allies — who include the royal family — do their best to protect them. Princess Louise, for example, warns them to watch what they say: “It’s a different language, the words that come quietly at night. Don’t mistake what we’ve talked about for something we can talk about in daylight.”

Yet despite the support of the royal family, Alamayou is eventually sentenced to be sent back to Abyssinia — where he’s likely to be killed. The novel follows the men as they struggle to survive through the plot’s surprising twists and turns.

Although Prince Alamayou is a real historical figure, David’s novel is an alternate history, imagining a longer and more romantic story of the prince’s life (the real Alamayou died of pleurisy while still in his teens) that allows for a nuanced examination of repressive societies of that time and the curtailed possibilities suffered by those not in the majority. As Philip says of himself and his friends at the local circus, “We’re all freaks, they and I. We’re not prepared for the life we lead, but we’re certainly not prepared to hope for more and fail.”

The Night Language will be published by L.A.-based indie press Rare Bird Books on Nov. 14. I’m excited to be partnering with Rare Bird to give away  a copy of  The Night Language to my readers! All current email subscribers will be automatically entered to win one copy. Subscribe now if you’re not yet getting my occasional newsletters.

For a second chance to win, comment on this post below with your favorite language. The giveaway closes November 30, 2017 at 11:59 pm PST. US addresses only.

Come back mid-month to read an interview with David Rocklin.

October book reviews: Where lieth freedom?

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

The Handmaid’s Tale by Margaret Atwood (McClelland and Stewart, 1985)

“I hunger to commit the act of touch.”
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For those who still aren’t familiar with the story, here’s a summary: The U.S. has been taken over by a religious regime — that has subjugated women into servile, domestic roles. The story’s told by Offred, a “handmaid,” aka a woman forced to have ritualistic sex with a high-ranking official in the regime for the purposes of reproduction, as birth rates have been plummeting for social and environmental reasons.

I first read this classic as a first-year undergrad — and as always seems to happen whenever I reread a book, Margaret’s work spoke to me in completely different ways this time around. I was especially struck this time by the ways the regime justifies its curtailing of women’s freedoms, arguing that women have it better under the regime, since they’re protected from sexual assault and harassment, as well as from the harsh judgments and expectations about their appearance. The argument is that women under the regime just have different sorts of freedoms — and as a result are perhaps more free — an interesting idea in juxtaposition to the current #metoo movement that very much speaks to the ways women’s freedoms are curtailed in today’s society.

It recalled for me Elif Batuman’s New Yorker essay, “The Head Scarf, Modern Turkey, and Me,” in which she comes to this conclusion about the choices and freedoms that women in the U.S. enjoy, versus the ones in Turkey who take more traditional roles (and wear their head scarves): “Nobody has everything; everyone is trading certain things for others.” Here’s an excerpt:

I found myself thinking about high heels. High heels were painful, and, for me at least, expensive, because they made walking more difficult and I ended up taking more taxis. Yet there were many times when I wore heels to work-related events in New York, specifically because I felt it made people treat me with more consideration. Why, then, would I refuse to wear a head scarf, which brought a similar benefit of social acceptance, without the disadvantage of impeding my ability to stand or walk?

The whole essay’s worth a read. I’m not sure where I’m going with this, beyond saying that I’d love to have a conversation about this. Someone should create a MOOC with The Handmaid’s Tale, Michel Houellebecq’s Submission, and Elif’s essay on the syllabus. Also, the Hulu series is fabulous.

All Grown Up by Jami Attenberg (HMH 2017)

“For so long I have believed I could never catch up, but now I realize there’s nothing to catch up to, there’s only what I choose to make.”
*
This novel about a single woman in NYC felt so intimate and vulnerable and gritty in its exploration of desire and want and artistic ambition and human connection. It’s a book I needed to read — at this time when I feel perpetually behind on everything —

Hunger: A Memoir of My Body by Roxane Gay (Harper, 2017)

“What I know and what I feel are two very different things.”
*
Roxane’s raw memoir is a must read. A tad repetitive, yes, but so honest — I learned so much, I became more empathetic about the many physical and societal issues that confront bigger people on a daily basis that I’d never even considered, and I related a lot in many unexpected ways. It’s so true — We can know a lot of things intellectually, but the knowing that comes through feeling can be something else altogether.

Transit by Rachel Cusk (FSG, 2017)

“Writing was just a way of taking justice into your own hands. If you wanted the proof, all you had to do was look at the people who had something to fear from your honesty.”
*
I read Rachel Cusk’s novel in a day. There’s something about her largely plotless story of a female writer having conversations with people she comes across that propels you forward — the quiet philosophical insights, the revelations about humanity, all our little motivations and rationalizations about what’s ok and what’s not, who to be, how to live. Many of the conversations hinged on moments of epiphany — a seemingly innocuous event that suddenly makes you see everything differently and decide to completely overhaul your life.

Quartet by Jean Rhys (Chatto and Windus as Postures, 1928)
*
“Her life swayed regularly, even monotonously, between two extremes, avoiding the soul-destroying middle.”
*
I picked this up after loving Jean Rhys’s Good Morning, Midnight last month — and I think my expectations were a bit too high because I didn’t love this one as much — though Quartet is still a worthy read. The novel tells the story of Marya, a young, newly married British woman in Paris — whose husband is good to her but is an outlaw type and sent to jail for a year. Penniless and bereft, Marya then needs to figure out how to survive in Paris but mostly just drinks a lot. Depression ensues….

The Candidate by Zareh Vorpouni (Originally published 1967; English translation from Syracuse UP, 2016)

The Candidate follows a young Armenian expat in 1929 Paris, reeling from the sudden suicide of his friend. The poetic work covers a lot of ground — the Armenian diaspora, racism, writerly ambition, poverty. It made personal the international aftereffects of the Armenian genocide and combined it with the beautiful listlessness of artistic life in 1920s Paris. I came to this book via Boxwalla.

Testify by Douglas Manuel (Red Hen, 2017)

“No, the present presses and mints / the past into a gold coin / you can’t spend anywhere.”
*
Douglas Manuel’s poems explore uncomfortable boundaries — navigating a black identity across and in between class, race, and gender expectations. Doug and I will be reading together at the Red Hen Press event at Lit Crawl LA, happening Wed 10/25 in North Hollywood!

Handiwork by Amaranth Borsuk (Slope Editions, 2012)

“Imagine this longing not yet known: it cant be wrung: it will only get longer.”
*
My grad school friend Amaranth’s poems fuse personal and cultural histories, combining the unpublished story of Amaranth grandmother with the Jewish practice of gematria with the periodic table. If you love constraint-based poetry, pick up this precisely-crafted volume.

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Cake Time gets a review in ZYZZYVA — Plus see you at six October events

Siel Ju and Lisa Locascio, a few Halloweens ago

One of my first fiction publications was in the west coast lit journal ZYZZYVA a few years ago. That story’s included in my novel-in-stories Cake Time published a few months ago, and a few days ago, ZZYZZYVA reviewed Cake Time so I feel like the world’s come full circle:

For Siel Ju’s narrator, there are no easy answers or tidy morals to unpack after a relationship fizzles—that’s just life…. Cake Time is a great story collection for our present moment; an exploration of love, morality, and contentment that proves such concepts can be as murky and uncertain as a wisp of cigarette smoke outside a chic bar.

I love this review partly because I love ZZYZZYVA but mostly because I’ve always wanted to be mentioned in the same piece as Lorrie Moore and Mary Gaitskill and now I have! Read the full review on ZYZZYVA.

Then come hang with me in person this Halloween month. I’ll be in costume in some or all of the events and would love to see you there —

First up, a reading for literary journal The Los Angeles Review, with John Brantingham, Brittany Ackerman, Emma Trelles, and L.A. Times book reporter Agatha French. I am told there will be free booze at this one —

The Los Angeles Review Reading
(Facebook event page)
Friday, October 6, 2017, 7:30 pm
The Last Bookstore, 453 S Spring St, Los Angeles.

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Then celebrate National Reading Group Month with the L.A. chapter of Women’s National Book Association who’ll be hosting an author panel with me, plus Abbi Waxman (The Garden of Small Beginnings) and Gabrielle Zevin (Young Jane Young) — both of whom I’m excited to meet —

National Reading Group Month Authors Panel
(Facebook event page)
Wednesday, October 11, 2017, 7:30 pm
Skylight Books, 1818 N. Vermont Ave., Los Angeles

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Mid-month, news site The LA Lit Review will host Indie Author Day with a host of local readers giving short readings. I’ll be one of them — plus there’ll be refreshments, a short film screening, a comedy skit, and an acoustic musical performance.

Indie Author Day
Saturday, October 14, 2017, 3 pm – 5 pm
Junipero Serra branch library, 4607 S Main St, Los Angeles

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Then I’ll be playing host myself, leading a discussion of The Handmaid’s Tale at Pen Center USA’s Edison Book Club. I first read the book back in college; I’m now in the middle of the Hulu series as part of my preparations for this evening. Come for the specialty cocktails!

Pen Center USA’s Edison Book Club
(I will host this month’s event; more about the book club here)
Wednesday, October 18, 2017, 6 pm – 8pm
The Edison, 108 W 2nd St, #101, Los Angeles

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Near the end of the month, Lit Crawl LA will return to North Hollywood. I’ll be at a Red Hen reading event there — but the schedule still isn’t up so I don’t know when and where it’ll be! For now, just block out the night for the crawl —

Lit Crawl L.A.
Wednesday, October 25, 2017, time TBD
NoHo Arts District, North Hollywood

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And lastly, if you’ve ever wanted to attend a posh literary salon in a private home in North Hollywood, here’s your chance. I’ll be reading with Maggie Smith — Get in touch with me for a private invite.

Los Angeles Review Salon
(Private event — Email me for an invite)
Sunday, October 29, 2017, 2 pm

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It’ll be a busy month and I hope you’ll make time to see me! Come in costume or as yourself and if I don’t see you before then, happy Halloween —

September book reviews: Zhang, Rhys, Khong, Walls, Gray, Maum plus two guys with two-syllable names

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

Sour Heart by Jenny Zhang (Lenny, 2017)

“All I had wanted for so long was to be part of a family that wasn’t mine.”
*
You guys, this book is so good. Sour Heart tells interconnected stories of girlhood as Chinese immigrants in NYC — the raw, unvarnished, gritty stories completely unlike, say, The Joy Luck Club. Four families packed into one room with rats and roaches, volatile mothers who threaten abandonment and suicide, alcoholism, adultery, claustrophobic closeness and latchkey kid loneliness — plus a lot of love and beauty and desire and survival. Pick this one up.

Good Morning, Midnight by Jean Rhys (Constable, 1939)

“One day, quite suddenly, when you’re not expecting it, I’ll take a hammer from the folds of my dark cloak and crack your skull like an egg-shell.”
*
How have I not read any Jean Rhys until now?! Her dark, dissolute style is my new obsession. Loved this story of a woman who returns to Paris to battle the disappointments of the past and paranoia of the present. The ending is chilling —

The Glass Castle by Jeanette Walls (Scribner, 2005)

“I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.”
*
I loved this poignant memoir — Jeannette’s parents are so irresponsible, fucked up, and abusive, yet also loving, steadfast, and wise in their own strange ways. The memoir’s also real eye opener that makes you rethink your beliefs about all sorts of social issues: poverty, work, self-improvement — even literacy and reading. I’m now curious about the movie —

Goodbye, Vitamin by Rachel Khong (Henry Holt, 2017)

“What I want to know is what counted for something and what counted not at all.”
*
I thought Goodbye, Vitamin would be a rather depressing read — after all it’s about a 30 year-old woman fresh from a bad breakup who moves back in with her parents to help out with her father who has Alzheimer’s — but the novel is actually full of love and forgiveness and humor. It reminded me to enjoy the small serendipities in life — both the ones that bond you to people for life and the ones that momentarily connect you to strangers in the grocery store.

Isadora by Amelia Gray (FSG, 2017)

“The silver tray of his heart holds two brown tincture bottles, each offering their own opiate. The first is marked Desire and the other Virtue; one clouds the mind and the other turns the stomach, but they have the same general effect in the end.”

Aren’t those lines a beautiful way of describing competing wants? I got to interview Amelia about her novel based on the dancer Isadora Duncan’s life. Here’s my full review of Isadora, along with a giveaway —

Lincoln in the Bardo by George Saunders (Random House, 2017)

“Doubt will fester as long as we live.”
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I picked up Lincoln in the Bardo knowing nothing about it, just because I’m a fan of George Saunders’s short stories — so the novel surprised me and brought up a lot of questions too, namely: Why a slightly goofy, sort of historical yet largely paranormal story about the death of Lincoln’s young son? I mean, George’s stories are so varied — He really could have written anything. I wonder what made him choose this setting, topic, and style over others. Did it somehow choose him, or was this a deliberate decision on his part? Apparently he talks about this a bit on podcast interviews; I’ll need to listen to some of those —

Touch by Courtney Maum (G.P. Putnam’s Sons, 2017)

“All these humans with their disappointments and their desperate hearts, but it’s so much easier, so convenient, to blame emotional distance on a lack of time.”
*
I think my expectations for Touch might have been a touch too high. I liked it on a conceptual level — this idea of a screen-addicted, increasingly isolated society longing to return to simple human, physical connection — but I found the message a bit heavy handed, and thought the whole instant love thing between the protagonist and the hot younger guy too pat and easy. Isn’t real life — real touch — messier? In a good way?

Happy Gut by Vincent Pedre (William Morrow, 2015)

Among the foods I can’t really eat right now: dairy, eggs, gluten, almonds, and alcohol. That’s what I discovered after doing the Happy Gut program — an elimination diet plus gut health protocol I have mixed feelings about. Full review with all the details of my personal food issues here
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