The Book Drop: Handpicked reads delivered from an indie bookstore

If you’re like me, you love reading shelf talkers at independent bookstores — You know, those handwritten notes from the booksellers recommending books they love. These shelf talkers often pique my interest enough to pick up books I’ve never heard of before — and more often than not, I end up loving those books too.

Now, you can get those little notes — along with the recommended books — delivered to your doorstep, thanks to The Book Drop.

The Book Drop’s a monthly book subscription box program run by Bethany Beach Books, a little independent bookstore that’s been in business for over 25 years in Bethany Beach, Delaware. Each month, bookseller Amanda Zirn curates a new set of boxes, sending out books she loves to readers all over the world along with a little shelf talker-like note.

I got the June box earlier this month — and I have to say there’s something thrilling about getting mystery bookmail, where you don’t know what novel’s in the box. I ripped it open to find Hemingway’s Girl by Erika Robuck!

Hemingway’s Girl follows Mariella, a young maid hired to work for the Hemingways when Ernest and Pauline lived with their sons in the Key West. I’d never heard of this book before, which was perfect; I wanted the subscription box to introduce me to books I didn’t even know I longed to read. I’ve always liked Hemingway’s work but knew only tidbits about his real life, so I liked getting this window into Hemingway’s time in the Key West — via a fictionalized but mostly historically accurate tale.

The box also came with a couple letters: A personal note from bookseller Amanda Zirn about why she picked the book, and a letter from the author Erika Robuck in which she talks about her first trip to the Hemingway House in Key West. Plus there were a few fun extras: a signed book plate, a Bethany Beach Books bookmark, and an Indie Next List brochure with more book recommendations from indie booksellers.

These cute book boxes clearly have a lot of fans, because The Book Drop’s July boxes are already sold out! August boxes will be available starting tomorrow though — so you can sign up then. There are actually four different boxes to pick from. The box I got was the Jane Box, described as “Historical & Contemporary Fiction with a little sprinkling of literary fiction,” for $16 a month. But you can also pick from the Ernest (“thrillers, mysteries, and a little bit of non-fiction”), YA, or Children boxes.

I still love going to my L.A. independent bookstores, but I really liked being surprised by The Book Drop’s pick! Now, I hope to visit Bethany Beach Books in person one day. What does one do in Delaware though, besides shop for books?

More: 11 best bookstores in Los Angeles for writers

Cake Time on Newport Mercury’s summer reading list

It’s already summer — or at least it feels like it — and the summer reading lists are coming out! I’m overjoyed that Cake Time is on Newport Mercury’s list — Fictional encounters: 12 books to take you away this summer:

Wendy Fontaine writes that “Ju’s writing is witty, blunt and entirely unsentimental, which makes this book a lot of fun to read.” Thanks Wendy! I’m honored to be in such great company — with Edan Lepucki (who blurbed Cake Time!), Elizabeth Strout, and George Saunders!

If you add Cake Time to your own summer reading list, I’d love it if you reviewed it on Goodreads or on your own blog, like my friend Zandria did. Thanks Zandria!

What else are you reading this summer?

May book reviews: Rules and emotions

Brief reviews of books by contemporary authors I read this month — along with photos of what I ate while reading. The list is ordered by the level of my enjoyment:

The Rules of Inheritance: A Memoir by Claire Bidwell Smith (Hudson Street, 2012)

“Even in the moments when you don’t think you are moving forward, you really are.”
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The Rules of Inheritance is about the deaths of both Claire’s parents from cancer — and the painful aftermath of twenty-something Claire’s coming to terms with her loss while finding her own place in the world. There’s a toxic relationship, copious drinking, and a lot of flailing around — but the story ends on a hopeful, happier note. Claire’s one of the three women behind the L.A.-based Story and Soul — and has a new self help coming out next year.

How Emotions Are Made: The Secret Life of the Brain by Lisa Feldman Barrett (Houghton Mifflin Harcourt, 2017)

“Human beings are not at the mercy of mythical emotion circuits buried deep within animalistic parts of our highly evolved brain: we are architects of our own experience.”
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How Emotions Are Made argues that feelings don’t just happen to us — we actually play a huge role in constructing them through prediction and interpretation. There’s even a very helpful section on how best to calibrate emotions. Interestingly, a lot of that just has to do with living a healthy lifestyle — getting enough sleep, eating well, exercising, etc. — since physical factors really shape our emotions quite a bit. FYI one of my poetry chapbooks is titled Feelings Are Chemicals In Transit

The Protester Has Been Released by Janet Sarbanes (C&R, 2017)

“Yes, there comes a time when you have to look at your life and ask yourself, can I do better than this?”
*
Janet Sarbanes’s collection features smart incisive stories about scientific experiments, political apathy, climate change, and other human foibles. Many of the stories are written from an animal’s wise, world-weary, yet innocent point of view. Get ready to see life from the perspective of Dolly the cloned sheep, Laika the dog shot into space, and Koko the chimp.

Exit West by Mohsin Hamid (Riverhead, 2017)

I reviewed this lauded book for The Los Angeles Review. Read all my thoughts there —

All the Birds in the Sky by Charlie Jane Anders (Tor Books, 2016)

“Boredom is the mind’s scar tissue.”
*
A girl witch who can talk to animals. A boy science nerd who can build time machines. A supercomputer with a personality of its own. The three together save the world, sort of, in this fantasy-sci-fi-love story by Charlie, whose reading series Writers With Drinks I got to participate in earlier this year in San Francisco! Charlie’s novel is full of cryptic, philosophical musings to make you stop and think a while.

Failing Paris by Samantha Dunn (Lake Union, 2011)

“I have just erased the last vestige of the notion that the future should be charted with careful planning.”
*
Failing Paris follows an American girl in Paris for a week — through scheduling a abortion, dropping out of school, becoming a nude model for an intimidating man, meeting an intriguing fellow wanderer. It’s a moody, emotional, and gorgeous snippet of a life — very different from Samantha Dunn’s hilarious salsa memoir that made me curious to pick up her fiction!

My Body is a Book of Rules by Elissa Washuta (Red Hen, 2014)

“Constantly on a journey of self-improvement, I attempt to fix my attitude, weight, spending habits, use of time, sometimes slovenliness, treatment of others, living conditions, treatment of myself, outlook on life, nutrition, resume, and the general sweating of the small stuff.”
*
Each chapter of Elissa’s intense memoir takes on a different innovative form — academic sociological study, dating profile, bibliography — yet in many ways each chapter is about the same subjects — a rape, eating disorder, mental illness, Native American identity. A heavy, riveting read.

The Power of Now by Eckhart Tolle (Namaste, 1997)

“Whatever the present moment contains, accept it as if you have chosen it. Always work with life, not against it.”
*
A few friends have recommended The Power of Now to me over the years — and though I’m not much of a spiritual person, I finally sat down with it! I especially liked what Tolle had to say about embracing change — perhaps because in working through the change pack on my Headspace meditation app. In a lot of ways, I feel like Headspace actually distilled a lot of the useful parts of this book in a more tangible way…. I finished it determined to be more present.

Reconsolidation: Or, it’s the ghosts who will answer you by Janice Lee (Success and Failure Series, 2015)

“The memories congregate like / a slow-moving herd of dots.”
*
Janice’s brief work is a fragmentary piece examining Janice’s ghostly dreams of her mother, who died of a brain aneurism — alongside memories of her and philosophical quotes and ideas about memory. It’s a slim but rich text.

Kinship of Clover by Ellen Meeropol (Red Hen Press, 2017)

“I’m building a new life, one that’s all mine.”
*
I picked up Ellen’s novel at AWP earlier this year when she and I signed books together at the Red Hen Press booth — and I’ll be reading with her in Brooklyn on June 8! Kinship of Clover is about Jeremy, a college student who grows up in a commune then becomes really obsessed with plants going extinct and almost gets involved with an ecoterrorist group. Despite the subject matter, this was a calm, genial read.

Show Her a Flower, a Bird, a Shadow by Peg Alford Pursell (ELJ Editions, 2017)

“The night grows long until it’s short, and the sweetened tongue kisses the breath, and the breath is the breath is the breath.”
*
Peg’s slim volume of short prose pieces each give a glimpse of a seemingly nondescript yet poignant moment — a girl watching her mother fall while chasing a dog, a chat between strangers at a bus stop, a woman going hiking with a hole in her sock. A poetic read — and I was lucky enough to get to read with her last month at a reading for Why There Are Words — a series Peg founded!

Travels on the Dance Floor: One Man’s Journey Into the Heart of Salsa by Grevel Lindop (Andre Deutsch, 2010)

“Salsa gives you a new and different experience of your body.”
*
Since I’ve been getting back into salsa, I picked up this hard-to-get memoir — by a tall British poet guy who got so into salsa he decided to go on a 6-week trip to all the major salsa cities of the world, from Havana to Panama City to Miami. Not all the details of the ensuing trip are interesting, but it was cool to learn about how both the dance and the culture around it really varies depending on location.

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Live Talks Los Angeles: Literary conversations with popular authors

Ever wonder how novelists are treated at the Oscars? At a Live Talks Los Angeles event on Monday, Colm Tóibín dished on his experience attending an Academy Award after his novel Brooklyn was made into a film.

“If you’re a star up for an Oscar, you go in one door, and if you’re a just a novelist … you go in another door. And it’s not just the red carpet. There’s no carpet!”

Colm Tóibín was paired with arts and cultures writer Scott Timberg for a wide-ranging conversation that covered everything from Brexit to Miro to Irish history to Elizabeth Bishop to Colm’s own latest novel, House of Names. It was a pretty inspiring time — and my first time at a Live Talks Los Angeles event, a speaker series that’s been bringing authors and other thought leaders to L.A. for seven years.

And conveniently for me, most of the events happen on the westside; Colm’s event was at the Ann and Jerry Moss Theatre at New Roads School. Sadly I learned of the series only recently — or I would have gone to the conversation between Jami Attenberg and Cynthia D’Aprix Sweeney earlier this year!

Founded and produced by Ted Habte-Gabr, Live Talks LA somehow actually gets people to pay good money to see and hear writers of literary fiction. A general admission seat for Colm’s event cost $20, but tickets went up to $95 for literatis who wanted admission to the pre-event reception, a reserved section seat at the talk, and a copy of Colm’s book for the post-event signing.

Can’t afford the admission? Live Talks LA records all its events and puts them on its website. Plus, Live Talks LA has a free Newer Voices series, which highlights debut or early career authors. The next event in that series is An Evening with Nathan Hill, author of The Nix, happening June 26 at the Santa Monica Main Public Library.

In addition to novelists, Live Talks LA also brings in other well-known names. Kareem Abdul-Jabbar, for example, is the featured speaker at an event tonight! Other upcoming speakers include meditation teacher Jack Kornfield and Senator Al Franken. Get on the Live Talks LA email list to hear about them all —

Earlier: 12 literary reading series in Los Angeles

Five firsts: Rob Roberge on on binge writing, craft, and realistic expectations

Every month, I interview an author I admire on his literary firsts.

April’s featured author is Rob Roberge, author of The Cost of Living, a wild ride of a novel starring Bud Barrett — guitarist of an indie rock band — who goes from reckless days of touring and partying with strangers and hiding his drug addiction to getting sober and confronting the traumas and mistakes of the past.

Rob’s most recent book is Liar, a memoir with many similarities to The Cost of Living. He’s also authored three other works of fiction: Working Backwards from the Worst Moment of My Life, More Than They Could Chew, and Drive.

In this interview, Rob talks about the vital role played by indie publishers in the literary marketplace, binge writing, and the difference between memoir and fiction drawn from life.

Sign up with your email below to be entered to win a copy of The Cost of Living — and to get notified of future interviews!



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Siel: We have one thing in common as writers: We both have books with Red Hen Press! Yours, a short story collection called Working Backwards From the Worst Moment of My Life, came out in 2010. So this question is a personal one: What is the one piece of advice you’d have for a writer who’s just published a book with an indie press?

Rob: I’d say that there’s no one in the indie press world who isn’t in it unless they love books and love keeping the community of literature going. No one goes into indie publishing hoping to make a living at it. So, trust that—despite the fact that the press (any of them) may have limited resources for promotion and the like—they care deeply about you and their book. Some books gain traction in the marketplace…some don’t…but know that the press wants all of them to…for their sake and the writer’s sake.

So, I guess my biggest piece of advice would be to be realistic about the reach a book may be able to have. It’s not a question of quality. Indie presses are putting out some of the best books out there these days. With the death of the mid list on the trades, it’s come to indies to pick up those books by respected career writers who haven’t hit big in the profit-driven business model of the trade publishers. And on the new untested but great writers. This is an important gift for writers. And readers. That books that matter have a home and are still out there and available.

Your first book, Drive, came out in 2001. How has your writing routine changed, if at all, in the years between then and now?

I had more time then. Or maybe more energy. I was younger. I could do a lot of things at once more than I seem to be able to now. My health was better. But those are all minor things in the big picture. I still seem to get work done. I finished a book in two years that came out in 2013 (The Cost of Living), and then finished another in under two years that came out in early 2016 (Liar), so I guess I still get my work done.

The routine hasn’t changed too much. I’m a binge writer, not an everyday writer. I go long periods (especially when I’m teaching a lot) without writing books. Then, when I’m deep into a project, eight to ten hour days are normal…5000 to 10,000 word days aren’t NORMAL, but they happen. Sometimes I have written for anywhere from 24-72 hours (though I’m not supposed to with my having bipolar disorder…it’s not so wise…so I don’t do it much anymore. It sets off bad patterns).

I’ve always sort of wanted to be an everyday writer. But it just doesn’t seem to be the way I work.

At your launch reading for your latest book, Liar, you mentioned that your work has gotten more and more autobiographical. Why do you think that is? Is it a simple function of age — or something else?

I’m not sure. But I think (well, I know) it’s over. As each novel got progressively more autobiographical, that led to doing the memoir where I figured I’d just cop to the fact that a lot of my writing was about me by…well, writing overtly about me. But that seemed to be the end of a period in my writing. A phase that’s over. No more first person. No more basing protagonists on me (at least for the foreseeable future). My new book that I’m working on covers fifty years and 6 points of view…all lives very different from mine. It seemed time to move on.

On that note — The fictional protagonist in The Cost of Living has quite a lot in common with your characterization of yourself in your memoir, Liar. In fact, some plot points even repeat in the two books! As you were writing these books, were you picturing more or less the same “character”? Or were the two “protagonists” of these works very separate and different in your mind?

I pictured them as separate…even though they covered a lot of the same ground. They both are musicians, recovering addicts, have pretty severe bipolar. So, there’s a lot. But, for one thing, the structure was radically different. And I’m a big believer in form not just influencing content, but on some levels being content. The Cost of Living wasn’t a novel that challenged the form of the novel in any way (which was fine). But in Liar, I was trying to do things structurally that I hadn’t seen other memoirs do. Whether it was successful for not is for other people to decide. But that was a goal. And it made them pretty different projects, even though they shared a lot of details.

Which of your books was the most difficult to write?

Liar, by far. For both the reasons above and for personal reasons. It was the most challenging from a craft standpoint. And it was the one where I had to be most naked and vulnerable with the reader. Hardest by far. Maybe not the hardest to write (they’re all hard), but by far the hardest to release.

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Purchase a copy of The Cost of Living now, or enter to win one by signing up for the newsletter. Already joined up? Then you’re already entered!

May giveaway: Rob Roberge’s The Cost of Living

*** Winner selected! Congratulations to Gil in Berkeley, Calif.! ***

I was first introduced to when I heard Rob Roberge read at Roar Shack. The excerpt — about an addict called Bud Barrett whose friend talks him into digging up a relative’s grave to steal jewelry to hawk for drug money — was disturbing and intense and sad and unexpectedly hilarious! “She was dead,” the reluctant Bud rationalizes —

So of course, I had to read the novel. Every page of The Cost of Living is an entertaining ride: Reckless musicians on tour, hooking up with strangers and going on drug binges. Recovering addicts going to all the uncomfortable places in search of redemption. The heady ecstatic highs of mania, the soul-wrenching lows of depression. The characters go all over the place — geographically and emotionally — and take you with them —

Enter your email below for a chance to win a free copy of The Cost of Living. Already signed up for my newsletter? Then you’re already entered! US addresses only; giveaway ends May 31 at 11:59 pm.

Enter to win!


Come back mid-month to read a Five Firsts interview with Rob Roberge.